Structural film
Structural film was an avant-garde experimental film movement prominent in the United States in the 1960s and which developed into the Structural/materialist films in the United Kingdom in the 1970s.[1] [2]
Overview
The term was coined by P. Adams Sitney who noted that film artists had moved away from the complex and condensed forms of cinema practiced by such artists as Sidney Peterson and Stan Brakhage. "Structural film" artists pursued instead a more simplified, sometimes even predetermined art. The shape of the film was crucial, the content peripheral. This term should not be confused with the literary and philosophical term structuralism.[3]
Characteristics
Sitney identified four formal characteristics common in Structural films, but all four characteristics are not usually present in any single film:
- fixed camera position (an apparently fixed framing)
- flicker effect (strobing due to the intermittent nature of film)
- loop printing
- rephotography (off the screen)
It has been noted by George Maciunas that these characteristics are also present in Fluxus films.[5]
Key films
- The Flicker (Tony Conrad, 1965)[6]
- Wavelength (Michael Snow, 1966–67)[7]
- T,O,U,C,H,I,N,G (Paul Sharits, 1968)[8]
- One Second in Montreal (Michael Snow, 1969)[9]
- Zorns Lemma (Hollis Frampton, 1970)[10]
- Serene Velocity (Ernie Gehr, 1970)[11]
- Remedial Reading Comprehension (George Landow, 1971)[12]
- The United States of America (James Benning and Bette Gordon, 1975)[13]
Key filmmakers
- Bette Gordon[14]
- James Benning
- Tony Conrad
- Hollis Frampton[15]
- Ernie Gehr
- Birgit and Wilhelm Hein
- Kurt Kren
- Peter Kubelka
- George Landow (a.k.a. Owen Land)[16]
- Paul Sharits
- Michael Snow
- Joyce Wieland
- Sharon Lockhart
See also
References
- ^ Gidal, Peter, ed. (1978). Structural Film Anthology (PDF). London: British Film Institute. p. 150. ISBN 0-85170-0535.
- ^ Dictionary of Film
- ^ Ways of Seeing: Yoel Meranda's Web Site-Structural Film
- ^ Excerpt on YouTube-REVOIRVIDEO
- ^ Fluxus Film: George Maciunas Manifesto, Avant-Garde, and Anti-Art
- ^ The Flicker - Tony Conrad - The Film-Makers' Cooperative
- ^ Wavelength - Michael Snow - The Film-Makers' Cooperative
- ^ Paul Sharits: Expanding Cinema to the Beyond-Offscreen
- ^ Visionary Film - Google Books (pg.356)
- ^ Zorns Lemma - Hollis Frampton - The Film-Makers' Cooperative
- ^ New Works by Ernie Gehr - Harvard Film Archive
- ^ George Landow obituary-The Guardian
- ^ "The United States of America". The Criterion Channel. Archived from the original on September 27, 2020. Retrieved June 10, 2022.
- ^ "Directed by Bette Gordon". The Criterion Channel. Archived from the original on June 26, 2020. Retrieved June 10, 2022.
- ^ Where to begin with Hollis Frampton|BFI
- ^ Scratching the Surface: The Birth of Structural/Materialist Film
Bibliography
- Gidal, Peter. Materialist Film Routledge; First Edition, Second Impression edition (Mar. 1989).
- de Lauretis, Teresa and Stephen Heath (eds). The Cinematic Apparatus. Macmillan, 1980.
- Heath, Stephen. Questions of Cinema. Bloomington: Indiana UP, 1981.
- Maciunas, George. "Some Comments on Structural Film by P. Adams Sitney." Film Culture, No. 47, 1969.
- O'Pray, Michael. The British Avant-Garde Film 1926 to 1995: An Anthology of Writings. Indiana University Press, 2003.
- Sitney, P. Adams. Visionary Film: The American Avant-Garde 1943-1978. Second Edition, Oxford University Press 1979
