List of paintings by Georges Seurat
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This is a list of paintings by Georges Seurat (2 December 1859 - 29 March 1891), a Post-Impressionist/Neo-Impressionist painter. He is noted for being the co-father of pointillism.[1] Seurat had a short life, dying at only 31.[2] As a result, many art historians tend not to divide his professional work into periods.
Image | Title (English) | Year | Location | Dimensions (cm) | Catalogue No. (1980) |
---|---|---|---|---|---|
Angelica at the rock (After Ingres) | 1878 | Norton Simon Museum, Pasadena | 81.4 × 65 | 001 | |
Head of a Young Girl | 1879 | Dumbarton Oaks Research Library and Collection,Washington. D.C. | 27.9 × 23.5 | 002 | |
Image Missing | Badende an einem blauen Vorhang | 1879 | Private Collection | 32 × 22.8 | 003 |
Image Missing | Jupiter and Thetis | 1880 | Private Collection | 45.7 × 38.1 | 004 |
Vase of Flowers | 1879–1881 | Fogg Art Museum, Cambridge (Massachusetts) | 46.3 × 38.5 | 005 | |
Landscape with "sinners" Puvis de Chava | 1881–1882 | Musée d’Orsay, Paris | 17.5 × 26.5 | 006 | |
Landscape at Saint-Ouen | 1878–1879 | Metropolitan Museum of Art, New York City | 16.8 × 25.4 | 007 | |
A man leaning against a Parapet | 1881–1882 | Private Collection | 25 × 16.2 | 008 | |
Field with trees at sunset | 1878–1879 | Bristol Museum & Art Gallery, Bristol | 15.9 × 25.1 | 009 | |
Trees on the river bank | 1881–1882 | Private Collection | 16 × 25 | 010 | |
Image Missing | Trees on the river bank | 1881–1882 | Private Collection | 16 × 24 | 011 |
The Forest at Pontaubert | 1881 | Metropolitan Museum of Art, New York City | 79.1 × 62.5 | 012 | |
Peasants Driving Stakes | 1882 | Private Collection | 14.5 × 24 | 013 | |
Image Missing | Ruins of the Tuileries | 1882 | Private Collection | 15 × 24 | 014 |
Image Missing | Landscape | 1882 | Private Collection | 38.1 × 346.3 | 015 |
Field in Barbizon | 1882 | Private Collection | 15.9 × 24.1 | 016 | |
Image Missing | Autumn forest in Barbizon | 1882 | Private Collection | 16 × 25 | 017 |
Forest in Barbizon | 1882 | Private Collection | 20.5 × 30.5 | 018 | |
Summer | 1882 | Private Collection | 32.4 × 39.4 | 019 | |
Forest at sunset | 1882 | Private Collection | 15.9 × 24.8 | 020 | |
Trees on the river bank | 1882 | Dallas Museum of Art, Dallas | 32 × 40 | 021 | |
Landscape with a stake | 1882 | Kunstmuseum Basel (Om Permanent loan from the Dr. h. C. Émile Dreyfus Foundation) | 38 × 46.1 | 022 | |
Image Missing | House in Raincy | 1882 | Private Collection | 24.5 × 17 | 023 |
Peasant woman sitting on the grass | 1883 | Solomon R. Guggenheim Museum, New York City | 38.1 × 46.2 | 024 | |
Farm boy sitting in a meadow | 1882–1883 | Kelvingrove Art Gallery and Museum, Glasgow | 65 × 81 | 025 | |
Farm Boy in Blue (Le Jockey) | 1882 | Musée d’Orsay, Paris | 46 × 38 | 026 | |
Seated figure in a meadow in Barbizon | 1882 | On permanent loan to the Wallraf-Richartz-Museum, | 15.5 × 24.8 | 027 | |
Farmers at work | 1882–1883 | Solomon R. Guggenheim Museum, New York City | 38.5 × 46.2 | 028 | |
House and Garden | 1882–1883 | Virginia Museum of Fine Arts, Richmond (Virginia) | 27.6 × 46.3 | 029 | |
White houses in Ville d'Avray | 1882–1883 | Walker Art Gallery, Liverpool | 33 × 46 | 030 | |
Landscape in the Île-de-France | 1882–1883 | Musée des beaux-arts de Bordeaux | 32.5 × 40.7 | 031 | |
Image Missing | Haystack | 1882–1883 | Private Collection | 37.5 × 45.7 | 032 |
Stonebreaker | 1882–1883 | Private Collection | 15.8 × 24.7 | 033 | |
Farmer with hoe | 1882–1883 | National Gallery of Art, Washington. D.C. | 15.5 × 24.7 | 034 | |
Stonebreaker | 1882–1883 | National Gallery of Art, Washington. D.C. | 14.6 × 24.1 | 035 | |
Topless Stonebreaker | 1882–1883 | Private Collection | 16.7 × 26 | 036 | |
Stonebreaker From the Back | 1882–1883 | Private Collection | 16.7 × 26 | 037 | |
Image Missing | Stonebreaker | 1882–1883 | Private Collection | 15.9 × 25.1 | 038 |
Stonebreakers at Le Raincy | 1882–1883 | Norton Simon Museum, Pasadena | 36 × 45 | 039 | |
Three Stonebreakers | 1882–1883 | Private Collection | 17.1 × 25.4 | 040 | |
Two stonebreakers | 1882–1883 | Yale University Art GalleryNew Haven (Connecticut) | 16.2 × 25.1 | 041 | |
Peasantwomen in Montfermeil | 1882 | National Gallery of ArtWashington. D.C. | 15.6 × 24.7 | 042 | |
Image Missing | Gardener | 1882–1883 | Private Collection | 38.1 × 46.4 | 043 |
Image Missing | Street | 1882–1883 | Private Collection | 24.7 × 16.5 | 044 |
Two stonebreakers | 1883 | Private Collection | 32 × 40 | 045 | |
Stonebreaker with wheelbarrow in Le Raincy | 1882 | Phillips CollectionWashington. D.C. | 15.6 × 24.8 | 046 | |
Gardener | 1882–1883 | Metropolitan Museum of ArtNew York City | 15.9 × 24.8 | 047 | |
Man with Hoe | 1882 | Solomon R. Guggenheim MuseumNew York City | 46.3 × 56.1 | 048 | |
Farmer at work | 1883 | Private Collection | 15.8 × 25.4 | 049 | |
Reaper | 1881–1882 | Metropolitan Museum of ArtNew York City | 16.5 × 25.1 | 050 | |
Horse with carriage in a meadow | 1883 | Private Collection | 16 × 24 | 051 | |
The team | 1883 | Private Collection | 32.4 × 41 | 052 | |
Image Missing | Horse in the meadow at a gate | 1883 | Private Collection | 16.2 × 25.1 | 053 |
Cow in the pasture | 1883 | Yale University Art GalleryNew Haven (Connecticut) | 16.1 × 25 | 054 | |
Cows in a meadow | 1883 | Private Collection | 15.5 × 24 | 055 | |
Women in a meadow | 1883 | National Gallery of ArtWashington. D.C. | 15.2 × 24.8 | 056 | |
Figure in a field | 1883 | National Gallery of ArtWashington. D.C. | 16 × 25 | 057 | |
Image Missing | Grain field | 1883 | Private Collection | 15.5 × 24.8 | 058 |
Image Missing | The factory | 1883 | Private Collection | 16 × 25 | 059 |
Landscape near Paris | 1882–1883 | Private Collection | 15.9 × 24.8 | 060 | |
Trees in winter | 1883 | Musée d’OrsayParis | 15.4 × 25 | 061 | |
Trees in spring | 1883 | Musée d’OrsayParis | 16.5 × 26 | 062 | |
Vineyards | 1883 | Hiroshima Museum of ArtHiroshima | 15.6 × 24.9 | 063 | |
House with a red roof | 1883 | Private Collection | 16.2 × 25 | 064 | |
Houses between trees | 1883 | Kelvingrove Art Gallery and MuseumGlasgow | 16.5 × 25.4 | 065 | |
Watering can at Le Raincy | 1883 | National Gallery of ArtWashington. D.C. | 24.4 × 15.5 | 066 | |
On site | 1883 | Musée d’art moderne de TroyesTroyes | 32.4 × 40.6 | 067 | |
Image Missing | Suburb in winter | 1883 | Private Collection | 15.9 × 25 | 068 |
Snow effect | 1883 | Private Collection | 16.2 × 25.1 | 069 | |
Image Missing | Rue Saint-Vincent in the snow | 1883 | Private Collection | 25 × 15.7 | 070 |
Shape on a street | 1883 | Dauerleihgabe im Wallraf-Richartz-Museum & Fondation Corboud | 15.6 × 24.7 | 071 | |
Trees on the banks of the Seine | 1883 | National GalleryLondon | 15.8 × 24.7 | 072 | |
Man in a boat | 1883 | Courtauld Institute of ArtLondon | 115.2 × 24.1 | 073 | |
Fisherman | 1883 | Yale University Art GalleryNew Haven (Connecticut) | 16.2 × 24.8 | 074 | |
Image Missing | Fishermen in an anchored boat | 1883 | Private Collection | 16.5 × 24.8 | 075 |
Image Missing | Anchored boat | 1883 | Private Collection | 15 × 24 | 076 |
Banks of the Seine | 1883 | The Hyde CollectionGlens Falls | 15.5 × 24.5 | 077 | |
Man | 1883 | Courtauld Institute of ArtLondon | 15.9 × 25 | 078 | |
Houses on the banks of the Seine | 1883 | Private Collection | 15.7 × 25.1 | 079 | |
Boat at Asnières | 1883 | Courtauld Institute of ArtLondon | 15 × 24 | 080 | |
Fishermen at a bridge | 1882–1883 | Metropolitan Museum of ArtNew York City | 15.9 × 24.8 | 081 | |
Fishermen on the banks of the Seine | 1883 | Musée d’art moderne de TroyesTroyes | 16.2 × 24.8 | 082 | |
Study for "Bathers at Asnières" | 1883 | Kelvingrove Art Gallery and MuseumGlasgow | 15.9 × 24.8 | 083 | |
Image Missing | Study for "Bathers at Asnières" | 1883 | Private Collection | 16 × 25 | 084 |
Image Missing | Study for "Bathers at Asnières" | 1883 | Private Collection | 15.9 × 25.8 | 085 |
Study for "Bathers at Asnières" | 1883 | National Gallery of ArtWashington. D.C. | 15.5 × 25 | 086 | |
Study for "Bathers at Asnières" | 1883 | Private Collection | 15.2 × 24.8 | 087 | |
Study for "Bathers at Asnières" | 1883 | National Gallery of ArtWashington. D.C. | 15.9 × 25.1 | 088 | |
Study for "Bathers at Asnières" | 1883 | National GalleryLondon | 15.5 × 24.5 | 089 | |
Study for "Bathers at Asnières" | 1883 | Cleveland Museum of ArtCleveland | 15.7 × 24.9 | 090 | |
Study for "Bathers at Asnières" | 1883–1884 | National GalleryLondon | 15.8 × 24.7 | 091 | |
Study for "Bathers at Asnières" | 1883 | National Gallery (Dauerleihgabe der Tate Gallery) | 16.2 × 24.8 | 092 | |
Study for "Bathers at Asnières" | 1883 | National Gallery of ArtWashington. D.C. | 17.5 × 26.3 | 093 | |
Study for "Bathers at Asnières" | 1883 | Scottish National GalleryEdinburgh | 15.9 × 25 | 094 | |
Study for "Bathers at Asnières" | 1883 | Musée d’OrsayParis | 15.5 × 25 | 095 | |
Study for "Bathers at Asnières" | 1883 | Nelson-Atkins Museum of ArtKansas City (Missouri) | 17.5 × 26.4 | 096 | |
Study for "Bathers at Asnières" | 1883 | Art Institute of ChicagoChicago | 15.8 × 25.1 | 097 | |
Bathers at Asnières | 1884 | National GalleryLondon | 201 × 300 | 098 | |
Image Missing | Pierot with pipe (Aman-Jean) | 1884 | Private Collection | 25.4 × 16.5 | 099 |
Pierot with pipe (Aman-Jean) | 1884 | Private Collection | 32 × 24 | 100 | |
Landscape at Tournelle or the Seine at Courbevoie | um 1883/1884 | Van Gogh MuseumAmsterdam | 15.5 × 245.5 | 101 | |
Landscape in Rosa | um 1879 | Musée d’OrsayParis | 16.5 × 25.5 [3] | 102 | |
The Banks of the Seine | 1884 | Private Collection | 15.8 × 24.5 | 103 | |
Image Missing | Fisherman | 1884 | Private Collection | 16.2 × 25 | 104 |
Corner House | 1884 | Private Collection | 24.1 × 14.6 | 105 | |
Rue Saint-Vincent, Montmartre, spring | 1884 | Fitzwilliam MuseumCambridge | 24.7 × 15.5 | 106 | |
The bridge at Bineau | 1884 | NationalmuseumStockholm | 14.5 × 24 | 107 | |
Image Missing | Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 15.5 × 25.1 | 108 |
Image Missing | Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 15.2 × 24.8 | 109 |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | National Gallery of ArtWashington. D.C. | 15.8 × 24.8 | 110 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 16.5 × 24.4 | 111 | |
Image Missing | Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 15.5 × 25 | 112 |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 16.2 × 22.5 | 113 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 16 × 24 | 114 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884 | Metropolitan Museum of ArtNew York City | 15.6 × 24.1 | 115 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | National GalleryLondon | 16 × 25 | 116 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884 | Musée d’OrsayParis | 15.5 × 25 | 117 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 15.6 × 24.4 | 118 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Barnes FoundationPhiladelphia | 15.4 × 24.8 | 119 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1886 | Musée d’OrsayParis | 16 × 25 | 120 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 15.5 × 25 | 121 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 15.8 × 25.1 | 122 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 24.1 × 15.2 | 123 | |
Image Missing | Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 16 × 24 | 124 |
Image Missing | Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 15.8 × 25.2 | 125 |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 15.6 × 25 | 126 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | National GalleryLondon | 17.5 × 26 | 127 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884 | Art Institute of ChicagoChicago | 15.5 × 24.3 | 128 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Stiftung Sammlung E. G. BührleZürich | 15.6 × 25.2 | 129 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884 | Minnesota Marine Art MuseumWinona (Minnesota) | 65 × 81.5 | 130 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Fogg Art MuseumCambridge (Massachusetts) | 15.4 × 24.9 | 131 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Albright-Knox Art GalleryBuffalo | 15.6 × 24.8 | 132 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 15.9 × 24.8 | 133 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 15.5 × 25.1 | 134 | |
Ein Sonntagnachmittag auf der Insel La Grande Jatte. Studie Personengruppen und zwei Frauen mit Schirmen | 1884–1885 | Private Collection | 15.9 × 24.8 | 135 | |
Image Missing | Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 16 × 25 | 136 |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 25.1 × 15.5 | 137 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884 | Smith College Museum of ArtNorthampton (Massachusetts) | 24.8 × 15.9 | 138 | |
Image Missing | Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Private Collection | 24.8 × 15.9 | 139 |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884–1885 | Fitzwilliam Museum (Dauerleihgabe des King’s College (Cambridge)) | 81.5 × 65.2 | 140 | |
Study for "Sunday afternoon on the island of La Grande Jatte" | 1884 | Metropolitan Museum of ArtNew York City | 70.5 × 104.1 | 141 | |
Sunday afternoon on the island of La Grande Jatte | 1884–1886 | Art Institute of ChicagoChicago | 207.5 × 308.1 | 142 | |
Landscape | 1885 | Palais des Beaux-Arts de Lille. Lille
(Dauerleihgabe des Musée d’Orsay. Paris) |
16 × 24 | 143 | |
Image Missing | The afternoon coffee (three children sitting in a meadow) | 1885 | Private Collection | 16.2 × 24.7 | 144 |
Alfalfa, Saint-Denis | 1884–1885 | Scottish National GalleryEdinburgh | 65.3 × 81.3 | 145 | |
Beach at Grandchamp | 1885 | Private Collection | 16 × 25 | 146 | |
Image Missing | Sunset at Grandchamp | 1885 | Private Collection | 16 × 25 | 147 |
Image Missing | Rocks at Grandchamp | 1885 | Private Collection | 16 × 25 | 148 |
Two sailing boats at Grandchamp | 1885 | Barnes FoundationPhiladelphia | 15.8 × 25 | 149 | |
Four boats at Grandchamp | 1885 | Barnes FoundationPhiladelphia | 16 × 25 | 150 | |
Mill ruin at Grandchamp | 1885 | Musée d’OrsayParis | 15.7 × 25 | 151 | |
Image Missing | Boats at Grandchamp | 1885 | Private Collection | 15.5 × 25 | 152 |
Three boats and a sailor at Grandchamp | 1885 | Private Collection | 15.9 × 25.3 | 153 | |
Image Missing | Boats at low tide, Grandchamp | 1885 | Private Collection | 16 × 25 | 154 |
Boats at low tide at Grandchamp | 1885 | Pola Museum of Art, Hakone | 66 × 82 | 155 | |
Study for "Fort-Samson, Grandchamp" | 1885 | Private Collection | 15.2 × 24.7 | 156 | |
Fort-Samson, Grandchamp | 1885 | Hermitage Museum, Saint Petersburg | 65 × 81.5 | 157 | |
Study for "Le Bec du Hoc, Grandchamp" | 1885 | National Gallery of AustraliaCanberra | 16.2 × 25.2 | 158 | |
Le Bec du Hoc, Grandchamp | 1885 | National Gallery (Permanent loan from the Tate ) | 64.8 × 81.6 | 159 | |
The roadstead at Grandchamp | 1885 | Private Collection | 65 × 81.2 | 160 | |
Grandchamp, evening | 1885 | Museum of Modern Art, New York City | 66.2 × 82.4 | 161 | |
Morning walk (The Seine near Courbevoie) | 1885 | Private Collection | 27.8 × 16.2 | 162 | |
Female figure on the banks of the Seine near Courbevoie | 1885 | National Gallery, London | 24.9 × 15.7 | 163 | |
Image Missing | Beach at Honfleur | 1886 | Private Collection | 16 × 25 | 164 |
Harbour at Honfleur | 1886 | Kröller-Müller Museum, Otterlo | 79.5 × 63 | 165 | |
The Mary in Honfleur | 1886 | National Gallery, Prague | 53 × 63.5 | 166 | |
Image Missing | Study for "Seine estuary at Honfleur, evening" | 1886 | Private Collection | 15.2 × 24.8 | 167 |
Seine estuary at Honfleur, evening | 1886 | Museum of Modern Art, New York City | 78.3 × 94 | 168 | |
Study for "Basbutin beach near Honfleur" | 1886 | Baltimore Museum of Art, Baltimore | 17.1 × 26 | 169 | |
Basbutin beach near Honfleur | 1886 | Musée des Beaux-Arts, Tournai | 67 × 78 | 170 | |
The end of the pier in Honfleur | 1886 | Kröller-Müller Museum, Otterlo | 46 × 55 | 171 | |
The Honfleur harbor entrance | 1886 | Barnes Foundation, Philadelphia | 54.3 × 65.1 | 172 | |
Study for "Hospice and lighthouse in Honfleur" | 1886 | Private Collection | 15.8 × 25 | 173 | |
Hospice and lighthouse in Honfleur | 1886 | National Gallery of Art, Washington. D.C. | 65 × 81.5 | 174 | |
A paddle boat seen through trees | 1887 | Private Collection | 15.6 × 25 | 175 | |
The Seine and Grand Jatte in spring | 1888 | National Gallery, London | 15.7 × 25 | 176 | |
The Seine and Grand Jatte in spring | 1888 | Royal Museums of Fine Arts, Brussels | 65 × 82 | 177 | |
The Seine at Le Grande Jatte in the Spring | 1886–1888 | Metropolitan Museum of Art, New York City | 70.5 × 86.4 | 178 | |
The Bridge at Courbevoie | 1886–1887 | Courtauld Institute, London | 46.4 × 55.3 | 179 | |
Les Poseuses, Study of a standing model from the front | 1887 | Musée d’Orsay, Paris | 25 × 15.7 | 180 | |
Les Poseuses, Study of a standing model from the front | 1887/1890 | Musée d’Orsay, Paris | 25 × 15.8 | 181 | |
Les Poseuses, Study of a seated model in profile | 1887 | Musée d’Orsay, Paris | 24.7 × 15.5 | 182 | |
Study: model from behind | 1887 | Musée d’Orsay, Paris | 24.3 × 15.3 | 183 | |
Image Missing | Les Poseuses, Study Two seated and one standing model | 1887 | Private Collection | 16.2 × 22.2 | 184 |
Les Poseuses | 1886–1888 | Barnes Foundation, Philadelphia | 200 × 249.9 | 185 | |
Les Poseuses (Small version) | 1888 | Private Collection | 39.4 × 48.7 | 186 | |
Study for "The Circus Parade" | 1887 | Stiftung Sammlung E. G. Bührle, Zürich | 16.5 × 26 | 187 | |
The Circus Parade | 1887–1888 | Metropolitan Museum of Art, New York | 99.7 × 149.9 | 188 | |
Port-en-Bessin. Bridge and quays | 1888 | Minneapolis Institute of Art | 64.9 × 82.4 | 189 | |
Paysage à Port-en-Bessin. Normandie | 1888 | National Gallery of Art, Washington. D.C. | 64.9 × 82.4 | 190 | |
Port-en-Bessin, Harbor at low tide | 1888 | Saint Louis Art Museum, St. Louis | 54.3 × 66.7 | 191 | |
View of Port-en-Bessin, Sunday | 1888 | Kröller-Müller Museum, Otterlo | 66 × 82 | 192 | |
Port-en-Bessin, Harbour Entrance | 1888 | Museum of Modern Art, New York City | 54.93 × 65.1 | 193 | |
Port-en-Bessinm, Port entrance at high tide | 1888 | Musée d’Orsay, Paris | 66 × 82 | 194 | |
View of Le Crotoy, from Upstream | 1889 | Detroit Institute of Arts, Detroit | 70.5 × 86.7 | 195 | |
View of Crotoy, the Valley | 1889 | Private Collection | 70.5 × 86.4 | 196 | |
The Eiffel Tower | 1889 | Fine Arts Museums of San Francisco | 24.1 × 15.2 | 197 | |
Study for "Young Woman Powdering Herself" | 1889 | Museum of Fine Arts, Houston | 24.8 × 16 | 198 | |
Young Woman Powdering Herself | 1888–1890 | Courtauld Institute, London | 95.5 × 79.5 | 199 | |
Study for "Le Chahut" | 1890 | Courtauld Institute, London | 21.8 × 15.8 | 200 | |
Study for "Le Chahut" | 1889 | Albright-Knox Art Gallery, Buffalo | 55.3 × 47 | 201 | |
Le Chahut | 1889–1890 | Kröller-Müller Museum, Otterlo | 169.1 × 141 | 202 | |
L’homme à femmes | 1890 | Barnes Foundation, Philadelphia | 25 × 16 | 203 | |
Moored boats and trees at gravelines | 1890 | Philadelphia Museum of Art, Philadelphia | 16 × 25.5 | 204 | |
Image Missing | Moored boats and trees in gravelines | 1890 | Private Collection | 15.9 × 25.1 | 205 |
Beach at Gravelins | 1890 | National Gallery of Art, Washington. D.C. | 15.9 × 25.1 | 206 | |
Beach and boat at Gravelines | 1890 | Courtauld Institute, London | 16 × 25.5 | 207 | |
Study for "The Channel of Gravelines, Petit Fort Philippe" | 1890 | Nelson-Atkins Museum of Art, Kansas City (Missouri) | 15.9 × 25 | 208 | |
The Channel of Gravelines, Petit Fort Philippe | 1890 | Indianapolis Museum of Art, Indianapolis | 73 × 92 | 209 | |
Gravelines. Grand Fort Philippe | 1890 | National Gallery, London | 65 × 81 | 210 | |
The Channel at Gravelines, in the Direction of the Sea | 1890 | Kröller-Müller Museum, Otterlo | 73 × 92.7 | 211 | |
Study for "The Channel at Gravelines, Evening" | 1890 | Musée de l’Annonciade, Saint-Tropez | 16 × 25 | 212 | |
The Channel at Gravelines, Evening | 1890 | Museum of Modern Art, New York City | 65.4 × 81.9 | 213 | |
Study for "The Circus" | 1891 | Musée d’Orsay, Paris | 55.2 × 46.2 | 214 | |
The Circus | 1891 | Musée d’Orsay, Paris | 186 × 152 | 215 | |
Waldweg. Barbizon | 1883 | Musée d’Orsay, Paris | 16.3 × 25.5 | ||
Heuschober | 1882 | National Gallery of Art, Washington. D.C. | 15.9 × 24.7 | ||
Figurenstudie zu La Grande Jatte | 1884–1885 | National Gallery of Art, Washington. D.C. | 15.2 × 24.1 | ||
Bauer mit Hacke | 1882 | National Gallery of Art, Washington. D.C. | 14.6 × 24.1 | ||
Bauer bei der Arbeit | 1882–1883 | Private Collection | 16 × 25 | ||
Der Gärtner | 1882 | Kunsthaus Zürich | 15.7 × 24.7 | ||
Landschaft mit Pferd | 1882–1883 | Private Collection | 16 × 25 |
References
- ^ Das Bild befand sich ursprünglich auf der Rückseite von PC 101; die Trennung der Bilder erfolgte nach 1929. Pierre Courtion: Georges Seurat: das Gesamtwerk, S. 46.
- ^ Das Gemälde wird vom Musée d’Orsay als Werk von Seurat geführt. Siehe
- ^ Das Bild befand sich ursprünglich auf der Rückseite von PC 101; die Trennung der Bilder erfolgte nach 1929. Pierre Courtion: Georges Seurat: das Gesamtwerk, S. 46.