"Ecco, ridente in cielo" is a cavatina from Gioachino Rossini's 1816 opera The Barber of Seville, sung by the tenor Count Almaviva, disguised as the poor student Lindoro, at the beginning of act 1.
Music
The aria is an example of the bel canto style.[1] The key signature is C major, but it also modulates into G major and contains chromatic passages. Its vocal range is from F♯3 to B4; the tessitura is between G3 and G4.[2] The aria is also notable for having a guitar accompaniment.
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Libretto
Ecco, ridente in cielo
spunta la bella aurora,
e tu non sorgi ancora
e puoi dormir cosi'?
Sorgi, mia dolce speme,
vieni, bell'idol mio;
rendi men crudo, oh Dio,
lo stral che mi feri'.
Oh sorte! gia' veggo
quel caro sembiante;
quest'anima amante
ottenne pieta'.
Oh istante d'amore!
Oh dolce contento!
Soave momento
che eguale non ha!
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Here, laughing in heaven
emerges the beautiful dawn,
and you are not awake yet
you can sleep like this?
Arise, my sweet hope,
come, my dear idol;
Render less painful, oh God,
The arrow that wounds me.
Oh destiny! I see now
that dear countenance;
this loving soul
has obtained mercy.
Oh moments of love!
Oh sweet contentedness!
Precious moment
It has no equal!
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References
External links
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Operas |
Maturity |
- Aureliano in Palmira (1813)
- Il turco in Italia (1814)
- Sigismondo (1814)
- Elisabetta, regina d'Inghilterra (1815)
- Torvaldo e Dorliska (1815)
- Il barbiere di Siviglia, ossia L'inutile precauzione (1816)
![CD icon.svg](https://upload.wikimedia.org/wikipedia/commons/thumb/f/f3/CD_icon.svg/10px-CD_icon.svg.png)
- La gazzetta, ossia Il matrimonio per concorso (1816)
- Otello, ossia Il Moro di Venezia (1816)
- La Cenerentola, ossia La bontà in trionfo (1817)
- La gazza ladra (1817)
- Armida (1817)
- Adelaide di Borgogna, ossia Ottone, re d'Italia (1817)
- Mosè in Egitto (1818)
- Adina, ossia Il califfo di Bagdad (1826)
- Ricciardo e Zoraide (1818)
- Ermione (1819)
- Eduardo e Cristina (1819)
- La donna del lago (1819)
- Bianca e Falliero, ossia Il consiglio dei tre (1819)
- Maometto II (1820)
- Matilde di Shabran, ossia Bellezza e Cuor di Ferro (1821)
- Zelmira (1822)
- Semiramide (1823)
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Pastiches | |
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Arias | |
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Sacred music | |
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Other works | |
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Film adaptations | |
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Cultural depictions | |
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Named for Rossini | |
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Related articles | |
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