File:The war of two Il-Khanid rulers, Arghun Khan vs. Sultan Ahmad, from the manuscript of Safvat al-Safa (The Quintessence of Purity), Shiraz, Iran, dated September 1582.jpg
![File:The war of two Il-Khanid rulers, Arghun Khan vs. Sultan Ahmad, from the manuscript of Safvat al-Safa (The Quintessence of Purity), Shiraz, Iran, dated September 1582.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/f/fe/The_war_of_two_Il-Khanid_rulers%2C_Arghun_Khan_vs._Sultan_Ahmad%2C_from_the_manuscript_of_Safvat_al-Safa_%28The_Quintessence_of_Purity%29%2C_Shiraz%2C_Iran%2C_dated_September_1582.jpg/415px-thumbnail.jpg)
Original file (1,107 × 1,600 pixels, file size: 2.15 MB, MIME type: image/jpeg)
![]() | This is a file from the Wikimedia Commons. Information from its description page there is shown below. Commons is a freely licensed media file repository. You can help. |
Summary
DescriptionThe war of two Il-Khanid rulers, Arghun Khan vs. Sultan Ahmad, from the manuscript of Safvat al-Safa (The Quintessence of Purity), Shiraz, Iran, dated September 1582.jpg |
English: The war of two Il-Khanid rulers, Arghun Khan vs. Sultan Ahmad
From the manuscript of Safvat al-Safa (The Quintessence of Purity), the hagiography of Shaykh Safi al-Din Ishaq Ardabili (1252/3–1334) Accession Number:AKM264 (fol.85r) Creator:written by Isma’il bin Bazzaz (d. 1391–92) Place:Iran, Shiraz Dimensions:35.2 x 22 cm Date:Sha’ban 990 AH/September 1582 AD Materials and Technique:opaque watercolour, ink, and gold on paper “The war of two Il-Khanid rulers, Arghun Khan vs. Sultan Ahmad” is one of fourteen paintings in the only known illustrated copy of Safvat al-Safa (The Quintessence of Purity), a tazkira and hagiography of Shaykh Safi al-Din Ishaq Ardabili (1252/3–1334). Safvat al-Safa gives detailed information about the life, sayings, virtues, and miracles of Shaykh Safi, the spiritual founder of the Safavid dynasty (1501–1736). Safvat al-Safa is a biography book with hagiographical accounts which falls under both genres. In Islamic literature, the term "tazkira" is used for biographical texts and "hagiography" is used for books on the lives of the mystics. Safvat al-Safa includes actual information on the life of Shaykh Safi al-Din Ishaq Ardabili as well as mystical and supernatural stories. It appears to have been the main source of the Safavid chroniclers for the early period of the dynasty, as there are numerous copies and translations. Safvat al-Safa has an introduction (muqaddima), twelve chapters (bab), and an epilogue (khatima). Each chapter has numerous sections (fasl) which include multiple short episodes (hikayat). This version of Safvat al-Safa was completed in 1582 in Shiraz, one of the important manuscript centres of its time. Rather than relying exclusively on the original text written by Isma’il bin Bazzaz (d. 1391–92), it includes revised text produced in 1533 during the reign of Shah Tahmasp (r. 1524–1576). The author of the new version, Shi’ite jurist Abu’l-Fath al-Husaini (d. 1568–69), added a preface and an appendix and wrote that the Safavids had descended from the seventh Imam Musa al-Kazim, thus producing an “official version” of the origin of the Safavids. This version of Safvat al-Safa is a fine example of the 1580s Shiraz workshops with its gold-painted leather binding; double-page illumination; blue, gold, and red-lined rulers on its 509 folios; and neat Nasta’liq script with highlighted words and phrases in red, blue, gold or orange. Its illustration cycle seems to be very well-organized with regard to the choice of topics and the diversity of its compositions. Moreover, its paintings are skillfully executed and strongly reflective of their accompanying text. They also share features of other contemporary illustrated manuscripts from Shiraz, including vibrant colours, crowded compositions with figures shown in various angles, detailed and repetitive decoration on the surfaces, and plain flora enriched with trees. The visual program of this Safvat al-Safa represents the shaykh as the protagonist in most of its illustrations. “The war of two Il-Khanid rulers, Arghun Khan vs. Sultan Ahmad” appears in the first chapter of Safvat al-Safa. The text gives information on the course of events that led to a war between two relatives, Arghun Khan (r. 1284–91) and his uncle Aḥmad, that culminated with Aḥmad’s death. The picture accompanying the text shows a battle scene where men on horses are fighting. Two men engage in close combat in the middle of the illustration. Both of their horses are in motion, and the man on the left is attacking another warrior behind him on an armoured horse with a sword. The swordsman is likely Sultan Ahmad; the other is likely Arghun. The records of ownership and several seals in this version of Safvat al-Safa display its value and popularity even centuries after the shaykh's death. On f.509a a seal, bearing the date 1281 (1864–65) and the name “Tahmasb al-Husayni” written in the form of a tughra, is stamped on each side of the triangular colophon. Another record (this time on f. 509b) reads: “This book is very precious and it is a unique copy. Therefore, I am making the following vow that I will not sell this book. If I do, I will make the pilgrimage, and if I die before completing it, I will leave money for the Sayyids so that you (God) witness that I have kept my word.” Unfortunately there are no records on the actual identity of the owner(s). Safvat al-Safa is one of the rare examples of the illustrated biographies produced in Shiraz in the sixteenth century. Among such works are Tuhfa-yi Sami (1550-52), a poet biography by Sam Mirza (d. 1566), son of Shah Isma'il (r. 1502-1524); Majalis al-'Ushshaq (1503), a biography of the royal prices, eminent people of the age, and famous mystics by Kamal al-Din Husain Gazurgahi (d. ca. 1503-4), Sultan Husain's (r. 1469-1506) intimate companion. Illustrated biographical works started to be produced in Shiraz by as early as 1550, though rapidly increased by the 1570s with many Majalis al-'Ushshaq copies. Although there are some sytlistic differences or changes in the painting cycles depending on each work, it is clear that Majalis al-'Ushshaq is admired as a new subject and therefore many illustrated copies are prepared in Shiraz in the second half of the sixteenth century. |
Date | September 1582 |
Source | https://agakhanmuseum.org/collection/artifact/the-war-of-two-il-khanid-rulers-arghun-khan-vs-sultan-ahmad-akm264-fol85r |
Author | Aga Khan Museum |
Licensing
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 21:41, 2 August 2022 | ![]() | 1,107 × 1,600 (2.15 MB) | wikimediacommons>LouisAragon | Uploaded a work by Aga Khan Museum from https://agakhanmuseum.org/collection/artifact/the-war-of-two-il-khanid-rulers-arghun-khan-vs-sultan-ahmad-akm264-fol85r with UploadWizard |
File usage
Metadata
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
If the file has been modified from its original state, some details may not fully reflect the modified file.
Camera manufacturer | NIKON CORPORATION |
---|---|
Camera model | NIKON D2X |
Exposure time | 1/80 sec (0.0125) |
F-number | f/0 |
ISO speed rating | 100 |
Date and time of data generation | 12:34, 25 January 2007 |
Lens focal length | 0 mm |
Width | 2,451 px |
Height | 3,543 px |
Bits per component |
|
Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS6 (Macintosh) |
File change date and time | 14:42, 25 September 2019 |
Exposure Program | Manual |
Exif version | 2.2 |
Date and time of digitizing | 12:34, 25 January 2007 |
Exposure bias | 0.66666666666667 |
Maximum land aperture | 0 APEX (f/1) |
Metering mode | Center weighted average |
Light source | Unknown |
Flash | Flash did not fire |
DateTime subseconds | 90 |
DateTimeOriginal subseconds | 90 |
DateTimeDigitized subseconds | 90 |
Supported Flashpix version | 1 |
Color space | Uncalibrated |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
GPS tag version | 2.2.0.0 |
Date metadata was last modified | 10:42, 25 September 2019 |
Unique ID of original document | uuid:9F3DCF56AEE411DB9182C8D81F04BC87 |
Copyright status | Copyright status not set |